Framing art on paper requires specific acid-free materials and protective layers to preserve the artwork for the long term.
Proper framing protects paper artwork from environmental damage, such as acid burn, moisture, and UV light. Using the correct materials is key to preservation.
Here are the core components needed, based on standard conservation framing practices:
- Acid-free mat: This board creates a space between the artwork and the glass, preventing the art from touching the glass, which can cause it to stick or develop mold over time. Using acid-free material is critical to avoid staining or deteriorating the paper art.
- Acid-free white backing (mounting board): This board sits behind the artwork and provides support. Like the mat, it must be acid-free to prevent damage to the back of the artwork.
- Non-glare glass or acrylic plexi-glass: The protective front layer shields the art from dust, physical damage, and harmful UV rays. Non-glare options reduce reflections, improving visibility. Plexi-glass is lighter and shatter-resistant, suitable for larger pieces or areas where safety is a concern, and it comes in different formats offering varying levels of UV protection and clarity.
- Wood or metal frame: This provides the structural support for the entire package (glass, mat, art, backing) and serves as the decorative border for the artwork. Frames come in numerous styles and materials to complement the art and decor.
- Acid-free tape to attach the drawing to the backing (in the corners) + tape the mat and backing together: Special acid-free, reversible tape is used to secure the artwork to the backing board, typically only at the top corners. This allows the art to expand and contract naturally with humidity changes and can be removed later without damaging the artwork. Acid-free tape is also used to create a hinge between the mat and the backing board, forming a secure unit.
Why Acid-Free Matters
Paper art is highly susceptible to damage from acidic materials. Standard framing materials, such as cardboard or wood pulp paper, contain acids that can migrate into the artwork over time, causing it to yellow, become brittle, and deteriorate. Using materials certified as "acid-free" or "conservation grade" ensures that the framing components will not harm the artwork.
Assembly Process
While the reference focuses on components, the general process involves:
- Preparing the art and backing board.
- Attaching the art securely but reversibly to the acid-free backing using acid-free tape, often just at the top corners.
- Hinging the acid-free mat to the acid-free backing using acid-free tape.
- Placing the art (attached to the backing with the mat over it) into the frame.
- Adding the glass or plexi-glass on top.
- Securing the layers within the frame.
- Adding finishing touches like dust covers and hanging hardware.
This careful selection and assembly of materials create a protective environment that helps preserve paper artwork for years to come.
| Component | Primary Purpose |
|---|---|
| Acid-free mat | Creates space between art and glass; prevents contact |
| Acid-free backing | Provides support for the artwork |
| Non-glare Glass/Plexi | Protects from dust, UV, physical damage; reduces glare |
| Wood or metal frame | Provides structure and aesthetic finish |
| Acid-free tape | Attaches art to backing; secures mat/backing |
