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How Do I Edit a Compound Path in Illustrator?

Published in Illustrator Compound Paths 2 mins read

Editing a compound path in Adobe Illustrator is straightforward, primarily utilizing the Direct Selection Tool. This tool allows you to interact with and modify the individual components or anchor points of the path, even after they have been combined into a compound path.

Understanding Compound Paths

Compound paths are powerful because they treat multiple objects as a single path while retaining the underlying structure of the original shapes. This is particularly useful for creating complex cut-outs or combining shapes in a non-destructive way.

Using the Direct Selection Tool

The key to editing a compound path lies with the Direct Selection Tool (white arrow).

  • Select the Compound Path: First, select the compound path object using the Selection Tool (black arrow).
  • Switch to Direct Selection Tool: Activate the Direct Selection Tool (or press 'A' on your keyboard).
  • Edit Individual Components: Click directly on an anchor point or path segment belonging to one of the original shapes within the compound path. You can then:
    • Drag anchor points to reshape the individual path.
    • Move entire subpaths (the original shapes) within the compound path.
    • Adjust curve handles to change the shape of segments.

As the reference states, the cool thing about compound paths is that you can edit these separately with the direct selection tool. This means you can modify the shapes that make up the compound path independently, allowing for precise adjustments after creation.

Why Use the Direct Selection Tool?

Unlike the standard Selection Tool (black arrow), which selects the entire compound path as a single unit, the Direct Selection Tool provides access to the components and anchor points of the path. This granular control is essential for making detailed edits to the shapes that form the compound path structure.

By using the Direct Selection Tool, you maintain the integrity of the compound path relationship while still being able to refine the shapes and positions of the objects that were used to create it.

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