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Does fear have a crush on anxiety?

Published in Movie Analysis 2 mins read

Based on implications from Inside Out 2, yes, Fear is implied to have a crush on Anxiety.

While not explicitly stated as a romantic crush within the movie's narrative, certain interactions and character dynamics suggest a potential attraction. Here's a breakdown of why the implication exists:

  • Proximity and Interaction: Fear and Anxiety are frequently shown interacting directly. Their roles necessitate them being close to Riley's emotional core, forcing them to collaborate (or at least be present) during high-stress situations. This constant proximity provides ample opportunity for emotional connection, even if initially based on shared anxiety.
  • Character Juxtaposition: Fear is characterized by his caution and desire for safety, while Anxiety is driven by a need to prepare for potential negative outcomes. This contrast, a classic trope in romance, could be interpreted as a source of attraction. Fear might find Anxiety's proactive approach intriguing, while Anxiety might appreciate Fear's grounding influence.
  • Tony Hale's Involvement: The reference points out Tony Hale's previous role as Forky in Toy Story 4. While coincidental, the fact that a voice actor closely associated with Pixar characters in films with romantic subplots voices Fear could be seen as a subtle nod towards potential romantic undertones in the relationship between Fear and Anxiety. However, this is purely speculative.
  • Subtextual Cues: Subtext is key in animated movies. Dialogue, body language, and shared glances can imply a deeper connection without explicitly stating it. While direct evidence within the film requires subjective interpretation, some viewers may perceive subtle hints suggesting Fear has feelings for Anxiety.

It's important to remember that Inside Out 2 primarily focuses on Riley's emotional journey. Any potential romantic subplot between Fear and Anxiety is secondary and open to interpretation. The "crush" is an implication rather than an established fact within the film's canon.

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