Composite video interface is a baseband analog video format that typically carries a 405, 525 or 625 line interlaced black and white or color signal, on a single channel. This differs significantly from higher-quality formats like S-Video, which uses two channels, or YPbPr, which uses three channels for video information.
Understanding Composite Video
At its core, composite video is an analog format designed to combine all the components of a standard-definition video signal – brightness (luminance), color (chrominance), and synchronization pulses – into a single signal transmitted over a single channel. Being a baseband analog video format, it transmits the video signal directly without modulating it onto a radio frequency carrier, typical of broadcast television signals.
This single-channel approach, while simple and cost-effective, leads to inherent limitations in picture quality. Because the color information is encoded and combined directly with the brightness information on the same channel, interference can occur, resulting in artifacts like color bleeding, dot crawl (a pattern of flickering dots along edges of areas with saturated colors), and a less sharp image compared to formats that keep these signals separate.
The format is designed to carry signals compatible with historical television standards, supporting various interlaced line counts such as 405, 525 or 625 lines. Interlacing is a technique where the picture is drawn by alternatingly displaying the odd and even lines of each frame, reducing flicker without doubling the required bandwidth.
Comparison with Other Video Formats
The reference highlights the key difference between composite video and more advanced formats:
- Composite Video: Uses one channel to carry combined video signals.
- S-Video: Uses two channels – one for brightness (luminance) and one for color (chrominance). By separating these two primary components, S-Video offers better picture quality than composite video because it reduces interference between them.
- YPbPr (Component Video): Uses three channels – one for brightness (Y) and two for color difference information (Pb and Pr). This complete separation of color information from brightness and from each other results in the highest picture quality among analog standard-definition formats.
This single-channel design is the primary reason composite video is considered lower quality than S-Video or YPbPr.
Key Characteristics of Composite Video
- Analog Format: Transmits video signals using varying electrical voltages.
- Single Channel: All video information (luminance, chrominance, sync) is combined into one signal.
- Signal Type: Typically carries interlaced black and white or color signal.
- Resolution Support: Compatible with standard definition line counts like 405, 525 or 625 lines.
- Quality: Generally lower quality than multi-channel analog or digital video formats due to signal combination interference.
In summary, the composite video interface is a foundational analog video standard known for its simplicity and single-cable connection, though it compromises image quality by combining all video information onto a single signal path.